THE RILA MONASTERY
It can briefly described as a combination nonumental architecture an rich history. It was fonded in the X century by Ivan Rilski and used to be the primary spiritual and cultural center of Bulgaria and the whole ortodox enclave.
16 000 volume library including 134 manuscripts from 15th to 19th century.
The introduction to the Rila Monastery could well startwith the words of the first Bulgarian historian, Paissii ofHilendar, recorded in 1762 in his Slav-Bulgarian History:
"Of all the Bulgarian glory when there were so many largemonasteries and churches in Bulgaria earlier the Lordhas left only the Rila Monastery to exist in our times... Itis of great use to all Bulgarians. Therefore, it is the dutyof all Bulgarians to guard it, and to give alms to thesacred Rila Monastery. . . "
The monastery has been destroyed by fire, and abandoned by the monks. Its presentday place, 119 km south of Sofia, is the one in which it stood during the 14th century, when the protosebast Dragovol Hrelyo settled in the monastery as an independent ruler. In 1335 he built the five-storey defence tower, topped by the Transfiguration Chapel, fragments of whose murals can still be seen today. By the end of 14th century, the Rila Monastery had turned into a powerful feudal entity with many villages, lands and properties. Tsar Shishman alone, the last Bulgarian ruler, donated it over twenty villages in different districts.
The monastery's unquestionable authority influenced the Turkish sultants who confirmed the rights granted by the Bulgarian kings by special firmans. Irrespective of this, the Monastery was devastated around the mid-15th century. It started rising again after the relics of Ivan Rilski were brought from Veliko Turnovo here in 1469 (passing through the whole of Bulgaria as a nationwide patriotic procession). The fate of the Monastery became the concern of the entire Bulgarian nation. A new centre was needed for the cultural life, which had declined or was transferred abroad. Many of the time's most outstanding men of letters gradually started gathering in the monasteries. The first links with Russian monasteries were established.
The church's interior is extremely impressive. The murals were painted between 1840 and 1848 by some of the finest artists of the time: Ivan Nikolov The Iconpainter, Kosta Valyov, Zahari Zograph, Dimiter Zograph and his sons - all from Samokov, Dimiter Mollerov from Bansko and his son Simeon. The icons of the main altar were painted by Ivan Obrazopis- sov from Samokov. The twenty donors' potraits in the church mark the beginning of Bulga- rian secular painting, of realistic portraits. This gallery of art was enriched by the murals in the churches and chapels outside the mo- nastery. Thirty-six figural scenes, the figures of the Old Testament Kings, apostles martyrs, an exceptionally rich ornamentation of flowers, birds and stylized figures - this, in short, is the subject-matter of the main carved altar of the Holy Virgin Church fashioned by four masters over a period of five years.
Stunningly carved is the entrance gate of the church of Protosebast Hrelyo, preserved to- day in the monastery's museum of history. The museum also contains a multitude of gold and silver church plates, collections of coins, weapons, jewelry goldweave materials and embroidery. A unique masterpiece is the carved cross of the Monk Raphael worked over a period of 12 years. The library contains 16000 volumes including 134 manuscripts from l5th to 19th century, numerous incunabula and documents. The donations received from all parts of the country represent a very rich ethnographic collection - a national collection of works of arts and crafts. Retaining the names of the donors and the exact date of donation, they represent an original chronicle of the national consciousness, of those pure patriotic feelings and hopes which were inspired throughout centuries in every Bulgarian by the Rila Monastery - the country's largest spiritual and cultural temple.